Tag Archives: xishuangbanna

Meng Song Ku Cha – Bitter Tea

Sinensis assamica var. Kucha – or in plain English, bitter tea, is a sub-variety of sinensis assamica that grows in the Meng Song area. For reasons which are doubtless obvious, it’s not the most sought after of Puer tea, but with a light touch when brewing it can be rather pleasant, with a distinct, lingering, but not overwhelming bitterness.

A friend just dropped by with a few handfuls. We plopped some in the gaiwan. It’s not the prettiest maocha you’ll ever see, but it’s totally honest, unadulterated.

With maybe 5-6 grams in the gaiwan and very quick steeping times, the bitterness does not become overpowering and there’s some decent flavour and fragrance.

The soup is clean – when sampling it’s good to use a gaiwan – not a pot – and no strainer. The broth has a pleasing colour with a hint of pale, almost pinky, gold.

See here for an earlier post about Meng Song: www.zhizhengtea.com/puerblog/stone/

Wan Gong and Bai Cha Yuan

HM has been recently spending a fair bit of time going up to Wan Gong where we found a little tea last year, and Bai Cha Yuan . Our hope this year is to build on last year and make some more tea from a couple of tea gardens up there.

Old tea trees that were cut back and then left untended

The trees in the photo are typical of a fair number of the trees in this remote area near Bai Cha Yuan – they are maybe about 200 years old but were cut back heavily many years ago and have subsequently been left untended for a long time.

HM and some tea farmers from the area have built a small makeshift ‘pondoki’ where we will make tea, as it is much too far from any more permanent tea making facilities.

A makeshift shelter

We have improvised two small woks for frying tea.

Two makeshift woks for frying tea in the field

A rather splendid view from near the top of the mountain.

A view from near the top of the mountain

2012 Lao Ban Zhang

Yesterday we received our first little bit of 2012 Lao Ban Zhang. A few kilos, brought in by our friend from Menghun.

Lao Ban Zhang 2012 mao cha

Quite nicely made, and with a very ‘chun’ – unadulterated, pure flavour. It seems like it could have used a little more drying time perhaps. The kuwei is pronounced, the huigan a little slow, materialising after a couple of minutes, but pleasing enough when it does show itself.

Mao cha and gaiwan

It has that slight smokiness which disappears after the first couple of steepings and that I’ve almost come to expect of Lao Ban Zhang. As someone said to me a couple of years ago, “If it’s not smokey, it’s not Lao Ban Zhang.”

It’s just been made, so we’ll give it a little time.

Lao Ban Zhang mao cha broth after four steepings

The leaves after four steepings look pretty good. A nice eveness to their appearance

Tea Heads

We’ve recently been going to Nan Chun Tea Factory in Menghai to get some work done. One day while we were there, HM discovered that they had previously made som ‘cha tou‘ or tea heads. This is basically a large ball – 1 or 2 kg – of tea. H.M managed to convince Nan Chun Cha Chang’s lao ban to personally make some cha tou out of some Nan Nuo Shan mao cha that we had left from this spring.

The weighed tea is steamed in the usual way and emptied into a cloth bag.

The tea is then rolled,

hammered,

and squeezed

into a near spherical shape

Nan Chun Tea Factory, Peng Lao Ban with a ‘tea head’

What you end up with is a pretty dense ball of tea – it could certainly do some damage if thrown in the wrong direction. (You’ve heard of Gunpowder tea – this is cannonball tea)

It has to be dried in a low temperature oven because, despite all the beating and squeezing, the moisture content in the centre is still relatively high so normal air drying would run the risk of the centre of the thing going mouldy.

The end result is rather pleasing – a solid lump of tea!

Drinking Tea

Zha Bao Ming was in the shop recently so HM wasted no time in procuring brushes, ink and paper for him to whip out some pictures to order. Here’s one of them, on the eternal theme of drinking tea in bucolic surroundings.

Peng Zhe, head of Xishuangbanna Tea Association was also here and had Zha Bao Min do a ‘King of Ban Zhang’ piece of calligraphy – doubtless destined for a tea cake wrapper next year!

Tea Pots

HM’s been in acquisitive mode recently. In the last couple of years we’ve been building a substantial collection of tea pots. Here’s a birds eye view of a few of the latest acquisitions. Some have been bought, others are gifts.

Make Tea According to What You See (More on wilting)

The expression in Chinese ‘kan cha, zuo cha‘ is saying ‘Make tea according to what you find, according to the situation.’ or as my grandfather used to say “Conditions determine.”

In light of some recent online discussion on withering tea, I thought it worth revistiting the topic here.

The debate centers around a couple of issues; Why are some Sheng ‘greener’ than others. The second issue is the supposition that the degree of ‘green-ness’ in a young Sheng Puer is determined largely by the length of time that the fresh leaves are withered.

This is a fair assumption, but it’s a partial reality. Wilt time, as previously said, will have some affect on the flavour and appearance of tea, but so also will the provenance, the type of trees, the season, the method and degree of drying and also the method of drying the pressed cakes. Last but not least, how long the mao cha is stored for prior to pressing, and where the tea is subsequently stored will also impact the teas flavour and appearance.

Two most common reasons that a Sheng Puer will seem more ‘green tea’ like are these:

Shaqing/frying temeperature: a higher temperature (say 90 + C) will do this.

The tea isn’t sun-dried and the temperature of drying is a little high.

Habits vary in different areas, and from season to season. Some farmers do not wilt at all, others wilt in the spring but much less in autumn. Wilting may be done for 40 minutes or for a few hours.

‘Kan cha, zuo cha‘ – A farmer is less looking at his watch than looking at the tea, feeling it, smelling it in order to decide when to start each step of the process – from picking to drying.

As teas from different regions and different farmers vary, so do ours. What works well for one tea, may not work well for another. No two teas are made exactly the same. What we strive for is to produce quality teas from different regions that maintain their uniqueness.

Conversations – On 'Where's it from?'

I was talking with a friend, Xiao Zhang, who runs a tea shop near ours. She had just got some Autumn Lao Ban Zhang mao cha for which she already had a probable customer. Whilst sampling the tea I asked her if she would be prepared to tell anyone who asked exactly where the tea was from – i.e. which tea farmer.

An emphatic ‘No’ was the answer, adding that she doubted if anyone locally would be willing to divulge which family or farmers they were getting their tea from.

Here’s the dilemma:

Developing long term relationships with tea farmers has some difficulties: If you have developed or are developing a relationship with a tea farmer, it’s still fragile, even when it may appear quite solid; you have an agreement to purchase a given quantity of, say first flush spring, tea from a given tea farmer but, if someone comes along behind you and offers more money for the same tea, it is tempting for the farmer to take it. In the Xishuangbanna area at least, no-one would be surprised at this kind of incident; tea farmers have gone, in 10 years or so, from more-or-less subsistence living in many cases, to having money to spare. But it is uncertain. It makes sense for them to ‘make hay when the sun shines’. The guy who buys your tea this year, might be gone the next.

The person who offers more money may have fewer requirements than you do and may, if they get the tea, walk away with a lesser quality tea than you might have got from the same farmer. But you still didn’t get the tea and may have to go back to ‘square one’ and find another source of tea that meets your requirements. This often can take considerable time and effort.

I realised in talking with Xiao Zhang that this highlights a fundamental difference in tea producers/suppliers attitudes:

Those sufficiently remote from the region likely need the names of mountain, village, tea farmer, to give credence to their merchandise. They also will understand the appeal that there may be for many westerners in buying a product which has a story behind it: this tea was made by tea farmer X in village Y, etc. even when the veracity of such claims may be hard to prove.

Chinese people generally, particularly here in a small city, in a rather less developed corner of China, are somewhat less removed from the sources of their food. The food supply chain is less of an abstraction than it has become in the west. Imported products are still relatively few, and even fruit and vegetables from neighbouring provinces are often eyed with suspicion. So, whilst local people in Jinghong are well aware of possible food growing practices ( it is quite common to bump into someone you know who will offer some fruit or other saying, “These are from my uncles’ trees, they don’t have any chemicals on them.”), the mantra of provenance for selling foodstuffs is less developed in China,and is less understandable than it is in the west.

Local tea merchants rarely need that credential, and their proximity to the growers means that they at least believe there is a chance that they can keep their relationship with a given tea farmer, and also, that they could lose it.

Suppliers remote from the producing region would, I suspect, rarely imagine that they have anything other than a tenuous link with the producer, so are less worried about others interloping. So, whilst the notion of complete transparency is honourable and justified, in reality, it would, for the time being at least, appear unworkable for the majority of tea merchants and small tea producers near centres of tea production.

There is another problem: we have a steady flow of people who come in the shop with ‘their hands in their pockets’, by which I mean, they do not openly declare their intentions. Sometimes, somewhat after the fact, we might understand that they have come to Xishuangbanna looking for tea, with the idea that they too can go up in the mountains and buy tea, take it home and sell it. If it happens to us, it happens to everybody.

And why not? They’re free to do so. But it would make little sense for anyone involved in the tea business here to give away too much information about their own contacts. The idea of a more open declaration is, for the moment, here in Xishuangbanna at least, rather remote.

More Where's it from?

Xiao Huang knows his Puer tea pretty well. He works in the local Bureau of Quality and Technical Supervision, but tea his passion. Sometimes he brings some of his own tea to our shop for us to drink. Recently, he has been asking for this year’s Bulang Peak, which he is convinced is really Lao Ban Zhang, but for some reason, we have chosen to hide the fact.

This is interesting for the fact that people’s notion of what Lao Ban Zhang, or any other tea for that matter tastes like, is highly variable; determined as it is by experience – i.e. which teas one has drunk, as well as the actual experience of drinking it – how one understands and assimilates the exerience of drinking tea.

Brewing Sheng Puer Tea – Science and Nature

Chen Lao Ban just came down from Kunming where he has a shop and we’re brewing a sample of autumn tea. He tells HM to move over and let him brew. “Your seat’s over there.” he says with an authoritative wryness.

He’s a big guy, but somehow manages to hunker over the chapan, focusing intensely on the brewing process.

How it started was this: someone had brought a bottle of water for us to try, and what was initially purely a test of the water evolved into a meditation on brewing parameters and equipment.

Different water, different pots, a gaiwan, different brewing styles, each time the result is different. We had, much earlier, dismissed the tea as being average, lacking in flavour (not surprising given the recent weather). Chen pronounces, with his usual style of scientifically peppered explanation, what precisley went wrong in the processing of this tea.

At times he seems to be something of a conjurer – but this description is misleading as it suggests a slight of hand which is inaccurate. There is no slight of hand.

If Chen Lao Ban is brewing a tea that he thinks is good or should be better, but has not shown it’s true colours, he will puzzle over how to adapt his brewing technique to get the best out of the tea.

He reminds me of a nature watcher perhaps, in the woods, hoping to see wildlife. He’s done his homework: he knows there are animals out there, he knows their habitat, he has a good idea about their habits, but it requires patience, skill, an understanding of the nature of the particular animal, and maybe a little cunning, to lure it out.

If one is not patient, one will see nothing. If one is patient, but not observant, one will also see nothing – keeping an open eye for any signs of movement is essential. Knowing where the animal may be, it’s temperament, and what skills to use to coax it out are essential, otherwise one will see nothing.

Of course, the precursor to this is knowing that you are in the right place to see something, in the right environment. If you misjudge the terrain, the search may well prove fruitless.

This is sheng Puer tea.

Horse's Mouth

Tea Tales from the South