Tag Archives: tea production

Neighbourhood Watch

I was back in the Hekai area the other day with the guys from Cha Ye! We had dinner with the village head of Guang Gang, one of the villages that makes up He Kai.

He was explaining to me how their system of monitoring works to police the use of agro-chemicals. In 2010, the government designated seven villages in the He kai area: Ban Pen New and Old villages, Man Mai, Man Nong New and Old villages, Man Nuai and Guang Gang,(帮盆新寨,帮盆老寨,曼迈,曼弄新寨,曼弄老寨,曼囡,广冈), as having ancient tea tree gardens which must be preserved and no agro-chemicals used.

These villages together have 9,100 mu (亩), that’s just over 600 hectares, of ancient tea tree gardens.

If anyone identifies tea gardens that are being treated with agro-chemicals, the land will be taken away from the offender and given to the person who identified the transgression.

It’s certainly cannot be failsafe as there may well be people willing to collude or look the other way. At the same time, it sounds a little reminiscent of earlier times, but maybe it can work…

Tea with the Chens – From He Kai to Ge Deng

I have recently had cause to hang out with two different Chens – a Chinese name something akin to the English Smith. One in Hekai, on the edge of the Bulang Mountains, and the other from Guangdong who sources tea from the Six Famous Tea Mountains area.

Chen No1 is based in He Kai. I went up there a few weeks ago and then accompanied him to Lao Ban Zhang where he got 30 kg of fresh leaves. The cost of fresh tou chun leaves in Ban Zhang this year was anything from a little over 400 to over 600 RMB/kg, and this Spring, just over 4 kg of fresh leaves was making a kilo of mao cha.

We got back to his place with the tea around mid-day and spread it out to wilt for a while. He started frying tea later in the afternoon and continued till almost midnight, putting the tea out to dry the next morning, which is normal practice.

His sha qing approach is a little different from some tea makers as he tends to fry the tea for considerably longer than is typical, and then rolls it for a relatively short period of time. When tea is heaped in the pan during frying in the fashion described above, it is locally described as ‘dui de‘ or piled.

He Kai Chen left his tea to wilt for a fair time even though the weather’s very dry – although it had been raining a little at night when I was there – (one reason for wilting, apart from allowing the moisture content in the leaves to drop, is to allow it to even out, so that there is a more uniform amount of moisture throughout the leaf – from tip to stem. If this is not done, it’s easy to burn the leaves).

Typical tea frying woks in the Bulang Shan/Hekai/Ban Zhang area are set flat on a brick oven. Initially, the tea leaves are kept moving in the pan which must be done to stop the leaves from burning and to produce an even roast. As the tea is roasted, the heat is allowed to drop a little and the tea moved less. After frying for a while – maybe as much as 15 minutes – during which time the tea is turned and shaken out repeatedly (this allows some of the heat to disperse), the process slows down and the tea is turned and then piled in the centre of the wok and left for a minute or so. This process is repeated many times.

Chen Lao Ban then takes the tea out of the wok and leaves it on a tray for several minutes – again piled as opposed to spread out, which is the more common practice.

Making tea in this way, he then machine rolls it in an old electric roller with a wooden drum and tray, but only for a few minutes. The result is a tea that is very fragrant, has good body, with a light clear broth, little astringence and good hou yun.

When He Kai Chen makes tea completely by hand, as he did with some of the Ban Zhang tea, he does not follow this method, and has a more typical approach to frying and rolling.

Across the other side of Xishuangbanna, a few weeks later, I was in Ge Deng and bumped into another Chen. Chen Lao Ban is from Guangdong where he sells tea. He spends quite a lot of time in ‘Banna and has been sourcing/making tea in the Liu Da Cha Shan area for 5 or 6 years. He has set up a few small chu zhe suowhere he both processes fresh leaves and collects some mao cha.

Guangdong Chen has had a wok made according to his requirements: the wok is also set flat on the oven in a manner similar to Bulang Shan woks, but it’s a fair bit higher. One only has to fry tea for a few minutes in a wok in say, Nan Nuo Shan, to realise how important the height is! Most Aini people are relatively short, and build their ovens accordingly, so this can be back breaking for anyone taller.

His approach to tea making is almost as far from Hekai Chen’s as Ge Deng is from Hekai. The wilting time is probably about the same – somewhere between 3 and 5 hours, but his approach to sha qing is quite different. Tea Urchin referred to this style as ‘medium rare’. I like that description. I think a lot of people I know here would say it was ‘sha bu tou‘ – not fried enough, but Guangdong Chen (and lots of other people in Guangdong) seem to like tea with this kind of flavour; a little less smooth feeling in the mouth than is typical, a fair bit of astringency, and not much obvious fragrance; either in the leaf or the cup. And virtually none of the retro-olfactory aromas that He Kai Chen produces.

Chen Lao Ban says that when the tea is stored (in Guangdong), the astringence mellows, though I have to say, that in my (limited) experience of drinking tea in Guangdong, even after several years, tea is often still markedly ‘apre’. He Kai Chen also says his tea ages well. I have had some which was 3-4 years old which was reminiscent of a rather older tea; very smooth, good hou yunand a pleasant chen wei.

What is most interesting in all this is that Puer making methods, within a broader understanding of the process, can vary considerably. There is not necessarily any ‘right’ or ‘wrong’ way of doing things – and I suspect there never was – although it is easy to find people who will swear by one particular approach.

Ban Pen 2012 Early Spring Mao Cha

Toward the end of last year, we set up a small place in Ban Pen to make tea – chu zhi suo 初制所 . This is some of the maocha we made there.

The tea has a light qingwei and a delicate bitterness that are balanced by sweet floral  notes. The broth feels very smooth with a nice houyun – a fine sweetness that materialises in the throat. Below are the leaves and broth after the second steeping.ban pen tea leaves and broth puerh tea for 2012

Decent shengjin and a pleasing retro-olfactory floral aroma that floats up from somewhere in the back of the throat and persists on the back of the palate and in the nose, calling me back repeatedly, but unsuccessfully, to identify the fragrance which is quite familiar, but I still put a name to it.

Here the leaves have opened after about 4-5 steepings.

The broth from the fourth steeping. All the pictures are of teas that are steeped in a gaiwan and decanted without using a strainer.

Making Rain

China’s rain making programme is well documented. Substantial amounts are spent annually on rainmaking technology and its implementation. But Xishuangbanna is mostly still as dry as a bone. A couple of nights ago there was a quite sudden clap of thunder, and it rained briefly, which it seems was ‘man made’, but whatever the potential risks of such endeavors, the effect was quite desultory.

The first flush of tea has finished and pretty much everybody is waiting to see what happens next. By this time last year, despite a dry start to the spring, we had had substantial amounts of rain, but this year, in Jinghong there has been not a drop.

I was up in Hekai for a few days last week, and there it rained a little every night, but Nan Nuo Shan has only seen a little of that. The general consensus is that this year’s tea’s flavour is a little better than last year, but often with a little more astringency. In some teas, the bitterness is more pronounced. We’ll have to wait for another week or so to see what the second flush of tea produces.

 

See here for some more reading on Chinese weather making

1,000 flavours of Lao Ban Zhang

I first met Chen Jian Ming five years ago. We went up to Hekai together where he was making tea. He has been making tea there since. He now has a shop in Jing Hong where we were trying some samples of Lao Ban Zhang that he’d got in the last few days. One was made by ‘lao bai xing’, i.e made by villagers following their own methods/standards. The other two were made by villagers, but to more exacting standards.

The other two samples were also from the village: one, the flavour somewhat fuller, the bitterness more pronounced (Lao Ban Zhang kuwei seems stronger this year than last year, for which I ‘ve heard a couple of explanantions, the most plausible of which is the climate – the dryness), the other kuwei less pronounced, more fragrant with a quicker huigan.

Lao Chen, calculates that ‘there are 500 households in Ban Zhang. If they all make tea in their own way, that means there are 500 flavours of Lao Ban Zhang tea. If each has, say 2 different tea tree gardens, then there are 1000 different flavours’ ….and so on…there was a further parameter which increased the possible variations exponentially, but I can’t think now what it was.  But you get the idea: there’re likely to be some broad similarities in tea from any village, but within that, there will be significant, often easily perceptible, variations. So having a fixed idea about ‘what this or that places tea tastes like’ is not particularly useful

Gua Feng Zhai – Cha Wang Shu – First Spring tea

HM was back up in Gua Feng Zhai about a week ago and came back with just over three and a half kilos of the first spring tea from Gua Feng Zhai’s Cha Wang Shu.

gua feng zhai mao 2012 cha

gua feng zhai mao 2012 cha

We tried the tea which at that stage was very smooth in the mouth, and sweet, but seemed a little thin in flavour. So about a week later, I thought I would try it again.

It had changed somewhat: still very smooth. The lid of the gaiwan carried the scent of  ‘flowers and honey’. The wet leaves have a dense ‘green’ aroma – a very distinct qing chou wei.  A faint hint of bitterness on the upper palate and ‘retro-olfactory’ hints of honeysuckle in the nasal cavity.

Lao Feng dropped by just as I was pouring out the second steep. We agreed it had improved in the week since we had tried it first. “The very first tips of spring” he said “it’s like an animal that’s been asleep all winter and has just awoken. It’s not fully awake yet.”

gua feng zhai cha wang shu 2012 puerh

Water, Storage – and the importance thereof

This recent blog posting by discipleoftheleaf on one of our teas – Bulang Peak 2010 seems to bring home, apart from the fine palate and descriptive skills of the author, the importance of good tea storage, and the quality of water used for steeping.

Each time we send out tea, we continue to emphasise the importance of giving tea time to acclimatise to a new environment – in my experience, this typically takes around 3 weeks. So it makes sense, if the tea has arrived from anywhere with a climate that is different from one’s own, to wait at least a couple of weeks before even bothering to try it. There is always a handful of people who can’t wait, or don’t think it matters. But it does. And I think this is particularly true of more nuanced teas.

The importance of water quality is also fundamental. There is an essential choice to be made; find teas that suit your water, or find water to suit your tea.

There’s not much point in using water with significant amounts of dissolved solids, and along with that, probably quite high alkalinity on a complex, fragrant, nuanced tea. If one is set on water with a higher pH, better to seek out teas that work with that kind of water. Younger teas seem more fickle than older Puers which, with age, are more robust and tolerant of a wider range of conditions.

Wan Gong and Bai Cha Yuan

HM has been recently spending a fair bit of time going up to Wan Gong where we found a little tea last year, and Bai Cha Yuan . Our hope this year is to build on last year and make some more tea from a couple of tea gardens up there.

Old tea tree around Wan Gong

Old tea trees that were cut back and then left untended

The trees in the photo are typical of a fair number of the trees in this remote area near Bai Cha Yuan – they are maybe about 200 years old but were cut back heavily many years ago and have subsequently been left untended for a long time.

HM and some tea farmers from the area have built a small makeshift ‘pondoki’ where we will make tea, as it is much too far from any more permanent tea making facilities.

A rough shelter on the mountain

A makeshift shelter

We have improvised two small woks for frying tea.

Two makeshift woks for frying tea in the field

A rather splendid view from near the top of the mountain.

A view from near the top of the mountain

A view from near the top of the mountain

2012 Lao Ban Zhang

Yesterday we received our first little bit of 2012 Lao Ban Zhang. A few kilos, brought in by our friend from Menghun.

lao ban zhang 2012 mao cha

Lao Ban Zhang 2012 mao cha

Quite nicely made, and with a very ‘chun’ – unadulterated, pure flavour. It seems like it could have used a little more drying time perhaps. The kuwei is pronounced, the huigan a little slow, materialising after a couple of minutes, but pleasing enough when it does show itself.

Lao Ban Zhang Mao Cha from early 2012

Mao cha and gaiwan

It has that slight smokiness which disappears after the first couple of steepings and that I’ve almost come to expect of Lao Ban Zhang. As someone said to me a couple of years ago, “If it’s not smokey, it’s not Lao Ban Zhang.”

It’s just been made, so we’ll give it a little time.

2012 Lao Ban Zhang mao cha broth after four steepings

Lao Ban Zhang mao cha broth after four steepings

 

The leaves after four steepings look pretty good. A nice eveness to their appearance

2012 First Spring Tea

We recently started to get some samples of this year’s tea. A handful here and a kilo there. It’s still early. We had three samples of Lao Ban Zhang. One of them was not bad except there was a hint of ‘new wok’ in the flavour.

Peng Zhe from Xishuangbanna Tea Association also brought in some samples he had got from Liu Da Cha Shan area. One was also rather pleasant. Here’s a picture the aftermath of some late evening sampling.

Tea dregs from 2012 early spring tea sampling

We were also debating the rule of thumb, that one ought not to sample more than 3 teas in a day, but we pretty much all conceded that during Spring there is no way to abide by such logic – often sampling many more teas a day.