Category Archives: Ge Deng

Lao Huang Pian

I was around Ge Deng somewhere drinking tea with Chen Lao Ban (Guangdong Chen) when a tea farmer brought a bag of tea he had made for him. Chen Lao Ban makes his own tea and also has some local people make tea. There wasn’t much, no more than three kilos. He looked in the bag, looked up and asked “Where are the huang pian?”  “You complained about them last year” the farmer said, “so this year I took them out.” Chen Lao Ban, looked up, shaking his head in disbelief, but said nothing.

Bada Shan Autumn 2012 Lao Huang Pian

Such is the story of huang pian, or yellow leaves, sometimes called ‘lao huang pian’.

As indicated in the previous post on the causes of bitterness and sweetness in tea, it is the older leaves that are sweeter.

Tea farmers: Aini, Bulang, Jinuo, etc, would not traditionally use young leaves to drink themselves. They use the sweeter ‘lao ye’, which they brew up in a kettle – traditionally in a bamboo tube – maybe having baked the leaves first.

For them, younger leaves, and all the tea brewing paraphernalia, is a Han Chinese thing which is alien to them. Many a tea farmer will tell you that when they were young, they never had a gaiwan or bowls. It is something they have now, rather as part and parcel of doing business.

If tea is growing quickly, the leaves, even including the fourth leaf are supple, pliable, and will not produce huang pian. When tea is growing more slowly, or has been left longer before picking, the lower leaves become less pliable, and if they are picked, will make huang pian. These leaves will not be made more supple by time or the frying processes, and remain un-rollable.

Ideas about huang pian in Puer tea change. From an appearance point of view, they are less desirable, but from a flavour point of view they are fine, and in small number, will not be detremental to the flavour; bringing a little extra sweetness.

The practice of picking them out is to please the customer who is primarily concerned with appearance. In Spring tea there should never be many. Autumn tea has more, and summer tea the most.

If the tea leaves are picked well and there are are few huang pian, the farmer can pick most of them out when they are firing the tea. When there are more, the laboriuos job of picking them out of the mao cha has to be done. The benefit is that they then become a ‘product’ in their own right.

Too many huang pian will lower the value of the tea, but most tea producers are happy to see some in their mao cha, which they can then decide to leave in or pick out and sell separately.

At Zhi Zheng, as there are generally very few huang pian in our mao cha after it has been dried, we prefer to leave them in the cakes rather than pick them out.

 

Early Spring Tea

Well, the hoopla of early Spring tea is done. Yet another round of price increases with plenty of exaggeration thrown in for good measure. Ban Zhang xiao shu for 3,800/kg, Man Song for 4000 to 6000 a kilo depending on who you are and who you talk to, Bing Dao for seven or eight thousand.

HM’s riff is that sheng cha has not yet reached it’s ceiling and that compared with Long Jin et al. it’s still very fairly priced. He is certainly not averse to paying top price for what he believes to be top grade tea, so I was surprised to hear him voice the idea that this year’s Bing Dao was not worth that much.

zhi beng ancient tea tree gardens

Zhi Beng ancient tea tree gardens

The rain early on in the year brought the first flush sooner than has been the case in the last few years, but then the tea was thinner in flavour. After the third week of March things improved, so there was a relatively brief window of time when the tea was good, and then it was Ching Ming Jie which, according to Han tea culture, signals the end of early Spring tea. Of course, it works as a rule of thumb for the most part, but there are always exceptions. Many tea farmers will try and tell you that in any case, the second flush is better than the first, but nobody much believes them.

In fact, it might make more sense to consider the lunar calendar rather than the solar – on which Qing Ming Jie is based – when picking tea, and by which it seems like harvesting might best be done on a waning moon.

Tea from more bei yin tea gardens have, to my mind at least, produced more interesting tea. Though this is not the case everywhere. The weather of the previous two or three years was in a sense an aberration and it is perhaps good that it has not continued. Though the current situation is also cause for concern.

drying early spring tea Ma Li Shu

Looking across to Mi Bu

Since the February rain, nothing. Hardly a drop in most places. So the second flush has not yet shown itself in many areas, though this is not universal. Many farmers reported a drop in gu shu yield this year, which is always good for helping to push up the price, but others reported above average harvests. Of course it’s not just the climate. There may well be other factors, like over-picking, that could bring about a drop in yield.

Sourcing good tea is not getting any easier: One needs to be paying attention, be resolute, have good contacts, have a good wad of money in one’s pocket, and some good luck too.

There was the usual flush of stories: like the sacks of tea in Gua Feng Zhai with last year’s gu hua cha stuffed in the bottom and some spring tea on top.

mi bu near ma li shu

Near Ma Li Shu. The tree in the background with red flowers, but no leaves is a Kapok.

I was in one village, Ma Li Shu I think, when a tea farmer was lamenting the current situation: “These cha lao ban who only want tou chun tea. Whose going to buy the rest of the tea?” For them the trend of distinguishing between gu shu, da shu, xiao shu and first flush, second flush etc, is not particularly to their benefit. They perhaps feel that they need to be making significant sums of money on the first flush in order to offset the income from the rest of the season.

Certainly, the bigger producers, like the folks from Guangdong in Ya Nuo are good news for the villagers, as they will buy tea from all three seasons, so the farmers do not get stuck with tea that they have a hard time selling. This is a much more reliable income than picky tou-chunners who leave the farmer in a precarious position.

mang zhi -yang lin

Looking across from Yang Lin. The mountains to the left of the valley are Ge Deng, to the right Man Zhuan

Tea with the Chens – From He Kai to Ge Deng

I have recently had cause to hang out with two different Chens – a Chinese name something akin to the English Smith. One in Hekai, on the edge of the Bulang Mountains, and the other from Guangdong who sources tea from the Six Famous Tea Mountains area.

Chen No1 is based in He Kai. I went up there a few weeks ago and then accompanied him to Lao Ban Zhang where he got 30 kg of fresh leaves. The cost of fresh tou chun leaves in Ban Zhang this year was anything from a little over 400 to over 600 RMB/kg, and this Spring, just over 4 kg of fresh leaves was making a kilo of mao cha.

We got back to his place with the tea around mid-day and spread it out to wilt for a while. He started frying tea later in the afternoon and continued till almost midnight, putting the tea out to dry the next morning, which is normal practice.

His sha qing approach is a little different from some tea makers as he tends to fry the tea for considerably longer than is typical, and then rolls it for a relatively short period of time. When tea is heaped in the pan during frying in the fashion described above, it is locally described as ‘dui de‘ or piled.

He Kai Chen left his tea to wilt for a fair time even though the weather’s very dry – although it had been raining a little at night when I was there – (one reason for wilting, apart from allowing the moisture content in the leaves to drop, is to allow it to even out, so that there is a more uniform amount of moisture throughout the leaf – from tip to stem. If this is not done, it’s easy to burn the leaves).

Typical tea frying woks in the Bulang Shan/Hekai/Ban Zhang area are set flat on a brick oven. Initially, the tea leaves are kept moving in the pan which must be done to stop the leaves from burning and to produce an even roast. As the tea is roasted, the heat is allowed to drop a little and the tea moved less. After frying for a while – maybe as much as 15 minutes – during which time the tea is turned and shaken out repeatedly (this allows some of the heat to disperse), the process slows down and the tea is turned and then piled in the centre of the wok and left for a minute or so. This process is repeated many times.

Chen Lao Ban then takes the tea out of the wok and leaves it on a tray for several minutes – again piled as opposed to spread out, which is the more common practice.

Making tea in this way, he then machine rolls it in an old electric roller with a wooden drum and tray, but only for a few minutes. The result is a tea that is very fragrant, has good body, with a light clear broth, little astringence and good hou yun.

When He Kai Chen makes tea completely by hand, as he did with some of the Ban Zhang tea, he does not follow this method, and has a more typical approach to frying and rolling.

Across the other side of Xishuangbanna, a few weeks later, I was in Ge Deng and bumped into another Chen. Chen Lao Ban is from Guangdong where he sells tea. He spends quite a lot of time in ‘Banna and has been sourcing/making tea in the Liu Da Cha Shan area for 5 or 6 years. He has set up a few small chu zhe suowhere he both processes fresh leaves and collects some mao cha.

Guangdong Chen has had a wok made according to his requirements: the wok is also set flat on the oven in a manner similar to Bulang Shan woks, but it’s a fair bit higher. One only has to fry tea for a few minutes in a wok in say, Nan Nuo Shan, to realise how important the height is! Most Aini people are relatively short, and build their ovens accordingly, so this can be back breaking for anyone taller.

His approach to tea making is almost as far from Hekai Chen’s as Ge Deng is from Hekai. The wilting time is probably about the same – somewhere between 3 and 5 hours, but his approach to sha qing is quite different. Tea Urchin referred to this style as ‘medium rare’. I like that description. I think a lot of people I know here would say it was ‘sha bu tou‘ – not fried enough, but Guangdong Chen (and lots of other people in Guangdong) seem to like tea with this kind of flavour; a little less smooth feeling in the mouth than is typical, a fair bit of astringency, and not much obvious fragrance; either in the leaf or the cup. And virtually none of the retro-olfactory aromas that He Kai Chen produces.

Chen Lao Ban says that when the tea is stored (in Guangdong), the astringence mellows, though I have to say, that in my (limited) experience of drinking tea in Guangdong, even after several years, tea is often still markedly ‘apre’. He Kai Chen also says his tea ages well. I have had some which was 3-4 years old which was reminiscent of a rather older tea; very smooth, good hou yunand a pleasant chen wei.

What is most interesting in all this is that Puer making methods, within a broader understanding of the process, can vary considerably. There is not necessarily any ‘right’ or ‘wrong’ way of doing things – and I suspect there never was – although it is easy to find people who will swear by one particular approach.