Tag Archives: famous tea mountains

There and Here – more on puer storage

After comparing two Bulang Peak teas whilst I was in the UK, I thought it might be interesting to bring some of the 2010, UK stored tea back to ‘Banna to compare with some of the same tea that has been stored here in Jinghong.

This therefore, is more an ‘apples with apples’ comparison than the one in the UK which was comparing a 2010 tea stored in the UK for 18 months with a 2011 tea that had been in Jinghong. This time we have the same tea, same batch.

bulang peak 2010 cakes

UK cake on left, 'Banna on the right

The first thing is that the difference between the teas is not that obvious. Looking at the colour of the cakes, the broth colour and the dregs, there is some difference to be detected, but it’s not that pronounced.

bulang peak 2010 uk stored cake detailbulang peak 2010 cake stored in JinghongThere is a slight difference in colour between the two cakes – most visible in the tips which are a little darker in the ‘Banna stored tea and in the slightly ‘greener’ hue to the UK stored cake. The top photo (right) is the UK stored cake, the lower one the ‘Banna stored tea. It’s not obvious in the photos here but the ‘Banna tea also looks a little richer, more moist than the UK stored cake, but perhaps I’m just imagining that.

The broth also produces marked difference – at least of the kind that I might have anticipated.

The broth from the first steepings of both teas looks pretty similar in tone.

I started using these two cups – the UK stored tea is on the left – but then realised my mistake as the shape of the cups and their translucency was affecting the appearance of the broth.

bulang peak spring 2010 broth

So I switched to two identical cups to see how the appearance of the broth was altered. I tried to steep the teas as close to simultaneously as I could in order to minimise any differences caused by oxidation of the broth and steeped the UK stored tea first, so that oxidation would not exaggerate any difference.

bulang zhi dian broth comparison

As can be seen in the photo above, there is no very obvious difference. Possibly the broth on the left (UK) is a mite lighter than the ‘Banna broth. Both are the third steeping.

Here is the broth from both teas after steeping for 5 minutes. This time the broth on the right (‘Banna) is more noticeably darker, but it’s still not much.

bulang peaks broth after five minutes steeping

The difference is most clear in the flavour – perhaps as one might have expected. The UK stored cake has kept more of its youthful floral/fruity notes and is very sweet. At the same time it is very slightly more astringent than the ‘Banna stored tea.

The ‘Banna stored tea has lost most of those fruit/floral notes and has started to show hints of something deeper, though as yet, no obvious chen wei. Both teas, when pushed, show a decent kuwei and both resolve quickly to produce a good huigan.

So is there a conclusion?

Of sorts, there is an interim one. It could be that the astringence in the UK stored cake is due to the fact that it has aged more slowly than the ‘Banna tea (and we have forgotten how it was when young) and that with further storage it will diminish. The other possibility, it seems, is that it has been influenced by the dryness of the UK conditions and this has produced the astringence. Only further storage time will tell.

bulang peak broth and dregs

 

 

Neighbourhood Watch

I was back in the Hekai area the other day with the guys from Cha Ye! We had dinner with the village head of Guang Gang, one of the villages that makes up He Kai.

He was explaining to me how their system of monitoring works to police the use of agro-chemicals. In 2010, the government designated seven villages in the He kai area: Ban Pen New and Old villages, Man Mai, Man Nong New and Old villages, Man Nuai and Guang Gang,(帮盆新寨,帮盆老寨,曼迈,曼弄新寨,曼弄老寨,曼囡,广冈), as having ancient tea tree gardens which must be preserved and no agro-chemicals used.

These villages together have 9,100 mu (亩), that’s just over 600 hectares, of ancient tea tree gardens.

If anyone identifies tea gardens that are being treated with agro-chemicals, the land will be taken away from the offender and given to the person who identified the transgression.

It’s certainly cannot be failsafe as there may well be people willing to collude or look the other way. At the same time, it sounds a little reminiscent of earlier times, but maybe it can work…

Tea with the Chens – From He Kai to Ge Deng

I have recently had cause to hang out with two different Chens – a Chinese name something akin to the English Smith. One in Hekai, on the edge of the Bulang Mountains, and the other from Guangdong who sources tea from the Six Famous Tea Mountains area.

Chen No1 is based in He Kai. I went up there a few weeks ago and then accompanied him to Lao Ban Zhang where he got 30 kg of fresh leaves. The cost of fresh tou chun leaves in Ban Zhang this year was anything from a little over 400 to over 600 RMB/kg, and this Spring, just over 4 kg of fresh leaves was making a kilo of mao cha.

We got back to his place with the tea around mid-day and spread it out to wilt for a while. He started frying tea later in the afternoon and continued till almost midnight, putting the tea out to dry the next morning, which is normal practice.

His sha qing approach is a little different from some tea makers as he tends to fry the tea for considerably longer than is typical, and then rolls it for a relatively short period of time. When tea is heaped in the pan during frying in the fashion described above, it is locally described as ‘dui de‘ or piled.

He Kai Chen left his tea to wilt for a fair time even though the weather’s very dry – although it had been raining a little at night when I was there – (one reason for wilting, apart from allowing the moisture content in the leaves to drop, is to allow it to even out, so that there is a more uniform amount of moisture throughout the leaf – from tip to stem. If this is not done, it’s easy to burn the leaves).

Typical tea frying woks in the Bulang Shan/Hekai/Ban Zhang area are set flat on a brick oven. Initially, the tea leaves are kept moving in the pan which must be done to stop the leaves from burning and to produce an even roast. As the tea is roasted, the heat is allowed to drop a little and the tea moved less. After frying for a while – maybe as much as 15 minutes – during which time the tea is turned and shaken out repeatedly (this allows some of the heat to disperse), the process slows down and the tea is turned and then piled in the centre of the wok and left for a minute or so. This process is repeated many times.

Chen Lao Ban then takes the tea out of the wok and leaves it on a tray for several minutes – again piled as opposed to spread out, which is the more common practice.

Making tea in this way, he then machine rolls it in an old electric roller with a wooden drum and tray, but only for a few minutes. The result is a tea that is very fragrant, has good body, with a light clear broth, little astringence and good hou yun.

When He Kai Chen makes tea completely by hand, as he did with some of the Ban Zhang tea, he does not follow this method, and has a more typical approach to frying and rolling.

Across the other side of Xishuangbanna, a few weeks later, I was in Ge Deng and bumped into another Chen. Chen Lao Ban is from Guangdong where he sells tea. He spends quite a lot of time in ‘Banna and has been sourcing/making tea in the Liu Da Cha Shan area for 5 or 6 years. He has set up a few small chu zhe suowhere he both processes fresh leaves and collects some mao cha.

Guangdong Chen has had a wok made according to his requirements: the wok is also set flat on the oven in a manner similar to Bulang Shan woks, but it’s a fair bit higher. One only has to fry tea for a few minutes in a wok in say, Nan Nuo Shan, to realise how important the height is! Most Aini people are relatively short, and build their ovens accordingly, so this can be back breaking for anyone taller.

His approach to tea making is almost as far from Hekai Chen’s as Ge Deng is from Hekai. The wilting time is probably about the same – somewhere between 3 and 5 hours, but his approach to sha qing is quite different. Tea Urchin referred to this style as ‘medium rare’. I like that description. I think a lot of people I know here would say it was ‘sha bu tou‘ – not fried enough, but Guangdong Chen (and lots of other people in Guangdong) seem to like tea with this kind of flavour; a little less smooth feeling in the mouth than is typical, a fair bit of astringency, and not much obvious fragrance; either in the leaf or the cup. And virtually none of the retro-olfactory aromas that He Kai Chen produces.

Chen Lao Ban says that when the tea is stored (in Guangdong), the astringence mellows, though I have to say, that in my (limited) experience of drinking tea in Guangdong, even after several years, tea is often still markedly ‘apre’. He Kai Chen also says his tea ages well. I have had some which was 3-4 years old which was reminiscent of a rather older tea; very smooth, good hou yunand a pleasant chen wei.

What is most interesting in all this is that Puer making methods, within a broader understanding of the process, can vary considerably. There is not necessarily any ‘right’ or ‘wrong’ way of doing things – and I suspect there never was – although it is easy to find people who will swear by one particular approach.

1,000 flavours of Lao Ban Zhang

I first met Chen Jian Ming five years ago. We went up to Hekai together where he was making tea. He has been making tea there since. He now has a shop in Jing Hong where we were trying some samples of Lao Ban Zhang that he’d got in the last few days. One was made by ‘lao bai xing’, i.e made by villagers following their own methods/standards. The other two were made by villagers, but to more exacting standards.

The other two samples were also from the village: one, the flavour somewhat fuller, the bitterness more pronounced (Lao Ban Zhang kuwei seems stronger this year than last year, for which I ‘ve heard a couple of explanantions, the most plausible of which is the climate – the dryness), the other kuwei less pronounced, more fragrant with a quicker huigan.

Lao Chen, calculates that ‘there are 500 households in Ban Zhang. If they all make tea in their own way, that means there are 500 flavours of Lao Ban Zhang tea. If each has, say 2 different tea tree gardens, then there are 1000 different flavours’ ….and so on…there was a further parameter which increased the possible variations exponentially, but I can’t think now what it was.  But you get the idea: there’re likely to be some broad similarities in tea from any village, but within that, there will be significant, often easily perceptible, variations. So having a fixed idea about ‘what this or that places tea tastes like’ is not particularly useful

Meng Song Ku Cha – Bitter Tea

Sinensis assamica var. Kucha – or in plain English, bitter tea, is a sub-variety of sinensis assamica that grows in the Meng Song area. For reasons which are doubtless obvious, it’s not the most sought after of Puer tea, but with a light touch when brewing it can be rather pleasant, with a distinct, lingering, but not overwhelming bitterness.

A friend just dropped by with a few handfuls. We plopped some in the gaiwan. It’s not the prettiest maocha you’ll ever see, but it’s totally honest, unadulterated.

Meng Song sinensis assamica var. kucha

With maybe 5-6 grams in the gaiwan and very quick steeping times, the bitterness does not become overpowering and there’s some decent flavour and fragrance.

Meng Song Bitter Tea leaves after three steepings

The soup is clean – when sampling it’s good to use a gaiwan – not a pot – and no strainer. The broth has a pleasing colour with a hint of pale, almost pinky, gold.

Meng Song Bitter Tea broth

See here for an earlier post about Meng Song: www.zhizhengtea.com/puerblog/stone/

2012 Lao Ban Zhang

Yesterday we received our first little bit of 2012 Lao Ban Zhang. A few kilos, brought in by our friend from Menghun.

lao ban zhang 2012 mao cha

Lao Ban Zhang 2012 mao cha

Quite nicely made, and with a very ‘chun’ – unadulterated, pure flavour. It seems like it could have used a little more drying time perhaps. The kuwei is pronounced, the huigan a little slow, materialising after a couple of minutes, but pleasing enough when it does show itself.

Lao Ban Zhang Mao Cha from early 2012

Mao cha and gaiwan

It has that slight smokiness which disappears after the first couple of steepings and that I’ve almost come to expect of Lao Ban Zhang. As someone said to me a couple of years ago, “If it’s not smokey, it’s not Lao Ban Zhang.”

It’s just been made, so we’ll give it a little time.

2012 Lao Ban Zhang mao cha broth after four steepings

Lao Ban Zhang mao cha broth after four steepings

 

The leaves after four steepings look pretty good. A nice eveness to their appearance

2012 First Spring Tea

We recently started to get some samples of this year’s tea. A handful here and a kilo there. It’s still early. We had three samples of Lao Ban Zhang. One of them was not bad except there was a hint of ‘new wok’ in the flavour.

Peng Zhe from Xishuangbanna Tea Association also brought in some samples he had got from Liu Da Cha Shan area. One was also rather pleasant. Here’s a picture the aftermath of some late evening sampling.

Tea dregs from 2012 early spring tea sampling

We were also debating the rule of thumb, that one ought not to sample more than 3 teas in a day, but we pretty much all conceded that during Spring there is no way to abide by such logic – often sampling many more teas a day.

Tea Heads

We’ve recently been going to Nan Chun Tea Factory in Menghai to get some work done. One day while we were there, HM discovered that they had previously made som ‘cha tou‘ or tea heads. This is basically a large ball – 1 or 2 kg – of tea. H.M managed to convince Nan Chun Cha Chang’s lao ban to personally make some cha tou out of some Nan Nuo Shan mao cha that we had left from this spring.

The weighed tea is steamed in the usual way and emptied into a cloth bag.

The tea is then rolled,

puerh tea heads getting a roll

hammered,

making cha tou

and squeezed

detail of making tea head using puerh mao cha

into a near spherical shape

nan chun cha chang lao ban with tea head

Nan Chun Tea Factory, Peng Lao Ban with a ‘tea head’

What you end up with is a pretty dense ball of tea – it could certainly do some damage if thrown in the wrong direction. (You’ve heard of Gunpowder tea – this is cannonball tea)

It has to be dried in a low temperature oven because, despite all the beating and squeezing, the moisture content in the centre is still relatively high so normal air drying would run the risk of the centre of the thing going mouldy.

The end result is rather pleasing – a solid lump of tea!

 

Conversations – On 'Where's it from?'

I was talking with a friend, Xiao Zhang, who runs a tea shop near ours. She had just got some Autumn Lao Ban Zhang mao cha for which she already had a probable customer. Whilst sampling the tea I asked her if she would be prepared to tell anyone who asked exactly where the tea was from – i.e. which tea farmer.

An emphatic ‘No’ was the answer, adding that she doubted if anyone locally would be willing to divulge which family or farmers they were getting their tea from.

Here’s the dilemma:

Developing long term relationships with tea farmers has some difficulties: If you have developed or are developing a relationship with a tea farmer, it’s still fragile, even when it may appear quite solid; you have an agreement to purchase a given quantity of, say first flush spring, tea from a given tea farmer but, if someone comes along behind you and offers more money for the same tea, it is tempting for the farmer to take it. In the Xishuangbanna area at least, no-one would be surprised at this kind of incident; tea farmers have gone, in 10 years or so, from more-or-less subsistence living in many cases, to having money to spare. But it is uncertain. It makes sense for them to ‘make hay when the sun shines’. The guy who buys your tea this year, might be gone the next.

The person who offers more money may have fewer requirements than you do and may, if they get the tea, walk away with a lesser quality tea than you might have got from the same farmer. But you still didn’t get the tea and may have to go back to ‘square one’ and find another source of tea that meets your requirements. This often can take considerable time and effort.

I realised in talking with Xiao Zhang that this highlights a fundamental difference in tea producers/suppliers attitudes:

Those sufficiently remote from the region likely need the names of mountain, village, tea farmer,  to give credence to their merchandise. They also will understand the appeal that there may be for many westerners in buying a product which has a story behind it: this tea was made by tea farmer X in village Y, etc. even when the veracity of such claims may be hard to prove.

Chinese people generally, particularly here in a small city, in a rather less developed corner of China, are somewhat less removed from the sources of their food. The food supply chain is less of an abstraction than it has become in the west. Imported products are still relatively few, and even fruit and vegetables from neighbouring provinces are often eyed with suspicion. So, whilst local people in Jinghong are well aware of possible food growing practices ( it is quite common to bump into someone you know who will offer some fruit or other saying, “These are from my uncles’ trees, they don’t have any chemicals on them.”), the mantra of provenance for selling foodstuffs is less developed in China,and is less understandable than it is in the west.

Local tea merchants rarely need that credential, and their proximity to the growers means that they at least believe there is a chance that they can keep their relationship with a given tea farmer, and also, that they could lose it.

Suppliers remote from the producing region would, I suspect, rarely imagine that they have anything other than a tenuous link with the producer, so are less worried about others interloping. So, whilst the notion of complete transparency is honourable and justified, in reality, it would, for the time being at least, appear unworkable for the majority of tea merchants and small tea producers near centres of tea production.

There is another problem: we have a steady flow of people who come in the shop with ‘their hands in their pockets’, by which I mean, they do not openly declare their intentions. Sometimes, somewhat after the fact, we might understand that they have come to Xishuangbanna looking for tea, with the idea that they too can go up in the mountains and buy tea, take it home and sell it. If it happens to us, it happens to everybody.

And why not? They’re free to do so. But it would make little sense for anyone involved in the tea business here to give away too much information about their own contacts. The idea of a more open declaration is, for the moment, here in Xishuangbanna at least, rather remote.

More Where's it from?

Xiao Huang knows his Puer tea pretty well.  He works in the local Bureau of Quality and Technical Supervision, but tea his passion.  Sometimes he brings some of his own tea to our shop for us to drink. Recently, he has been asking for this year’s Bulang Peak, which he is convinced is really Lao Ban Zhang, but for some reason, we have chosen to hide the fact.

This is interesting for the fact that people’s notion of what Lao Ban Zhang, or any other tea for that matter tastes like, is highly variable; determined as it is by experience –  i.e. which teas one has drunk, as well as the actual experience of drinking it – how one understands and assimilates the exerience of drinking tea.