Tag Archives: People

Hand Made Paper from Man Zhao – Correction

For the last few years I’ve been under the misaprehension that the paper made in Man Zhao outside Meng Hun, the hand-made paper which is used widely for wrapping puer tea, was made from the bark of the Mulberry tree. I was wrong.

The bark now rarely comes from local sources as there are insufficient trees to support the village industry, so most of it is imported from neighbours: Thailand, Myanmar, Laos. It’s called gou pi shu locally – which I somewhat predictably assumed was ‘dog skin’ tree – it is in fact  构树/gou shu, Paper Mulberry, broussonetia papyrifera.

I could perhaps be forgiven as the leaves do look a little similar.

There are a number of photos here

And some links here:

efloras.com

Wikipedia

Kew.org

 

The Map is Not The Territory

Download the USGS dataset for this region, and you’ll find yourself staring at something that looks like the skin on a Sharpei.

Because it’s a big file and takes some time to download, I have edited a small section and added a couple of major towns for reference. The purple dot in the middle, with no name, is Jinghong, on the banks of the Mekong.

banna-gmted

Google Earth is useful for similar reasons, as one can get a good idea of the topography of the area.

For the likes of Google however, Xishuangbanna is undoubtedly a cartographic backwater: some of the images are years out of date.

I’ve spent a fair bit of time in the last two years pawing over Google maps, and the less popular Microsoft Maps (now Bing).

It would  be an exaggeration to say that oxbow lakes have formed since Google updated some of its images, but it’s close: rivers have certainly changed their courses, villages have disappeared, highways have been built: the main highway from Jinghong to the Lao border, which was finished soon after I first came here seven years ago, is still not on the satellite images.

A while back, I was with a friend in the mountains, and we were identifying villages as we went. I asked a couple of times about a village I had seen on Google satellite images, but my friend was insistent that no such village existed. On arriving back home I compared Google and Bing images. In the former photo there was a village, in the latter, no village. The entire village had moved and been razed. My friend had no recollection of the village, but it was surely there some years ago.

This particular image was updated at the beginning of March 2013. The previous image was from 2001. A lot can happen in twelve years.

Google Earth image. Puxi Lao Zhai

Google Earth image. Puxi Lao Zhai. Dated January 2001

What’s good about this is that Google provides an historical reference. Many roads have been built or changed and villages moved in the last decade, and many of Google’s images of this area date from 2001/2.

Google Earth image. Puxi Lao Zhai

Google Earth image. Puxi Lao Zhai. Dated March 2013

Bing generally has better resolution pictures, and is more up to date, but it’s good to reference them both for comparison – not least because of cloud cover, as in the image above. The resolution on recent Google images is much better than earlier photographs: older images can often look like this:

Me Yang – Google

Rather than this:

Me Yang – Bing

So a caveat for Puer drinkers who are inclined to spend hours on Google or Bing trying to find exactly where their favourite tea comes from. Amazing as Google and Bing are – who would have imagined ten years ago that this kind of information would be freely available – they have their limitations.

 

Mang Zhi

When one thinks of Gong Ting (Tribute Tea) one first thinks of Man Song and when one thinks of places of historical importance related to Puer tea in Xishuangbanna, one perhaps first thinks of Yibang or Yiwu, or maybe Gedeng, but Mang Zhi has its share too.

Man Ya is below Hong Tu Po and the quickest way to get up there is from the Xiang Ming road.

the road up to Man Ya

Once across the bridge, it’s quite a quick journey up to Man Ya where the ancient tea tree gardens are. Like many places here, the original village no longer exists and the inhabitants have all moved further down the mountain.

One reason that this has happened is because of a lack of water, or the need for it outstrips the resources. Another is simply convenience. Sometimes villages have also been moved by the authorities.

tian an men

These trees, known by the villagers as Tian An Men provide a fitting entrance into the area where the gardens are. As with many places, the gardens are a mixed bag with some xiao shu near areas of older da shu and gu shu, but the general feeling is still good.

Most villagers make tea in or on the edge of the tea gardens, while several sell the fresh leaves they have picked to someone else from the village to process.

puer tea drying in man ya lao zhai

Many of the trees are similar to those in other Liu Da Cha Shan areas, but a few are significant, like the one below with a girth of 60 or 70cm.

man ya gu shu

The gardens have good ground cover with plenty of ‘za cao’ or weeds.

Lost in the undergrowth are a couple of tombstones which appear to be maybe Ming Dynasty and look like they were for government officials. One has been defaced, it seems by…. well you know the story. The other is still in relatively good condition.

 

mang zhi gravestone

It is said that tea from these gardens was also Tribute Tea – tea that was reserved for emperors or government officials.

Conversations – On Picking Tea with Professor Chen

 

Like Picking Money from Trees III

 

the three standard formations for tea picking

I thought it would be interesting to get a more learned view on the issue of over-picking old tea trees. There’s always plenty of homespun logic available, but less easy to hear from the mouth of an academic, so I decided to get in touch with someone I’ve known for a year or so who’s just that: Professor Chen is on the staff at South China Agricultural University. He’s in the Tea Science Department.

I posed the question to him: When is an old tea tree over-picked?

His reply went pretty much like this:

‘On the problem over-picking tea trees, the main thing is to consider what is ‘appropriate’ picking. The aim of appropriate picking is to ensure a basis of a good, stable yield, to accomplish both ‘regular production’ and to ‘cultivate the tree’ – there is a paradox between the two.

The leaves of camelia sinensis are a vital organ which through the process of photosynthesis give the tree life. To maintain the trees strong vitality it is imperative to maintain stable, abundant foliage. The tree’s total leaf-surface area is an indices of its life-force.

At the same time, tips and young leaves are predominantly picked for tea production; appropriate picking practices can increase yield and also ensure the longevity of the tree. Accordingly, normal tea picking methods are to leave leaves on the tree. Research has clearly shown that if during spring picking a large leaf is left unpicked on the stem and in summer, the ‘fish’ or ‘milk’ leaf is left, it can improve both the quality and yield of the tree two years later.

Old tea tree gardens are somewhat different from plantations. They are less well managed and trees are more easily damaged. If through picking, the tree’s leaf area is reduced too much, i.e. too few leaves, it inevitably leads to early aging of the tree and in extreme cases, its death. Clearly, an appropriate degree of picking is important to maintain old tea tree gardens. Unfortunately, at the moment, there are no scientific research reports on appropriate approaches to harvesting of old tea tree gardens.

He suggested:

1. Old tea trees should not be picked harshly, (that is to say, pick the tree clean – all leaves, irrespective of size – in one go). Each time the tree is picked, a portion of the leaves must be left on the tree.

2. In the spring, during the first and second flush, a large leaf should be left on the stem because June is the time when the tree will lose leaves. In the summer, a ‘milk’ leaf should be left and in autumn, again leave a large leaf.

3. Pick according to the condition of the trees foliage; if old leaves are few, leave more on the tree. If old leaves are plentiful, pick more. In times of drought of course more leaves must be left on the tree. The older the tree, the easier it is to damage its life-force, so it is even more important to leave a proportion of tips and leaves on the tree.

4. When a tree is old it is very easily affected by over-picking. The tree is past its most productive stage and is in a period of decline.

Further research needs to be conducted to understand how over-picking impacts the quality of old tree tea.’

Some people say that the of type approach suggested by professor Chen is not that easy for tea farmers to take on board, and a simpler approach of getting them to re-establish traditional practices in cases where they have been lost would be more effective and would have the same result. However, it’s not all tea farmers who have a lore of tea cultivation in their culture – and certainly not of commercial tea production.

So it’s clear, if not conclusive, that there is, or at the least, there is potential for, a problem. But not so clear how widespread the problem is or how to deal with it. It’s unlikely the regional government, even if it had the will to grasp the issue, would have the ability to police it. So the onus of responsibility is on the farmers and the people who buy their tea.

see here for earlier posts on over-picking tea:

https://horsesmouth.puerist.co/picking-money-trees/

https://horsesmouth.puerist.co/over-picking-tea/

https://horsesmouth.puerist.co/ma-hou-pao/

 

 

Ban Zhang & Hekai Old Tea Trees

ma hou pao – 马后炮

A friend told me today of some news from Lao Ban Zhang and He Kai: “Ban Zhang and Hekai have decided not to pick summer tea.” It seems a little disingenuous since we’re already into the autumn tea season, but it’s a step in the right direction, as long as they haven’t changed their minds by next year. Or is it?

The issue of over-picking tea, particularly on old tea trees is important, and not that straightforward. There are some seemingly common misunderstandings about exactly what ‘over-picking’ implies.

Not picking summer tea, the least sought after/cheapest harvest of the year, is not going to suddenly make everything right if other issues aren’t addressed. Ban Zhang autumn gu shu is on the market at 1,500 yuan/kilo, so the cynic might say they can afford not to pick summer tea, but whilst it would have given trees a chance to recover a little had it happened, it won’t necessarily improve next spring’s harvest.

Over the next few posts, I hope to explore this issue further and try to get to a deeper understanding of what the issues are, and how they would best be resolved.

 

* ma hou pao, is an expression that translates as something like ‘Firing the artillery after the horses have charged.’ Rather like ‘shutting the door after the horse has bolted’.

 

Nan Nuo Shan Dian Hong

I  was in Nan Nuo Shan yesterday where a friend of mine gave me some da shu black tea to try.

Nan Nuo Shan has a history of tea making. When Nan Nuo Shan Tea Factory was set up in the late 1930’s, it produced black and green tea, and in its heyday was producing hundreds of tonnes of tea a year, mostly for export. Although they planted large areas of tea trees, initially they made black tea from the old tea trees on the mountain which was, by all accounts, very good.

Fu Hai tea factory was set up later, also in Nan Nuo Shan. My friend worked there as a young man and learned the skills of tea making. He later was employed to teach new apprentices and was one of the first farmers in recent history in Nan Nuo Shan to start making his own tea: prior to that, the custom was for farmers to pick tea and then take the fresh leaves to the factory. Because of this, many farmers at that time had limited experience of making their own tea.

But making black tea is becoming quite popular in Nan Nuo Shan. My friend had made a couple of different batches. One we drank at his home, the other I tasted in Jinghong.

nan nujo shan black tea

It’s not the most beautiful Dian Hong – as Dan San says, there would be more tips in bush tea, but the leaves are impressive. Most people making tea in Nan Nuo Shan ferment it quite lightly. This is a little more heavily fermented. The dry leaves are still quite fragrant, but the flavour is deeper, stronger, more full bodied than typical Nan Nuo black tea.

It’s got what I think of as that kind of peppery sweetness which seems to typify Yunnan Dian Hong. Some hints of caramel and spices whose names don’t come to mind. The flavour is quite robust and has both some bitterness and a little astringence. The broth has that classic bright, golden – orange colour, but deepens somewhat on later steepings.

nan nuo shan black tea old tree dian hong broth

I was expecting this tea to be slightly more fragrant than the one we tasted in Nan Nuo Shan, but it was not obviously so. Muted, elusive, perhaps some hint of flowers, so it’s sweetness is the thing that stays with you – lasting for quite some time.

The leaves after a few steepings. As one can see, this is still not very heavily oxidised. The leaves are still very much intact and a testimony to the trees they came from.

nan nuo shan black tea broth after a long steepingAfter steeping for several  minutes, the broth darkened somewhat. It has nice clarity and lustre.

By the way, the small beaker above is Thai celadon, made in Chiang Mai using an ash glaze. They specialise in tableware and produce this quite ‘costaud’ style which feels very comfortable in the hand and is pleasant to drink from.

Neighbourhood Watch

I was back in the Hekai area the other day with the guys from Cha Ye! We had dinner with the village head of Guang Gang, one of the villages that makes up He Kai.

He was explaining to me how their system of monitoring works to police the use of agro-chemicals. In 2010, the government designated seven villages in the He kai area: Ban Pen New and Old villages, Man Mai, Man Nong New and Old villages, Man Nuai and Guang Gang,(帮盆新寨,帮盆老寨,曼迈,曼弄新寨,曼弄老寨,曼囡,广冈), as having ancient tea tree gardens which must be preserved and no agro-chemicals used.

These villages together have 9,100 mu (亩), that’s just over 600 hectares, of ancient tea tree gardens.

If anyone identifies tea gardens that are being treated with agro-chemicals, the land will be taken away from the offender and given to the person who identified the transgression.

It’s certainly cannot be failsafe as there may well be people willing to collude or look the other way. At the same time, it sounds a little reminiscent of earlier times, but maybe it can work…

Road to Heaven – or is that Hell?

To pinch the title of the excellent Bill Porter book ‘Road to Heaven – Encounters with Chinese Hermits’.

Recently, one of my laoxiang (fellow countrymen) – I’ll call him Chris – has moved to Jinghong and we have been getting together fairly regularly to talk dhamma, or solve the problems of the world.

Chris first came to China 20 years ago and taught in a school in Simao. He drinks Puer regularly – maybe every day – but says he knows little about it. He’s planning to make a visit to the UK next month and wants to take some tea back with him as gifts, so he asked me what I thought about a couple teas he has.

The first, a nondescript cake of questionable origin, is making my stomach twinge just by looking at it: obviously bush tea and of very low quality at that. I told him if he threw it away, he wouldn’t be missing anything. He said he found it completely uninteresting, and could not bring himself to drink it.

The second, a cake from 2011 that he got from someone he knows up in Nan Nuo Shan, is really quite decent. I suspect the trees are not as old as would be ideal – xiao shu. but really not bad: the flavour is OK, the fragrance not bad, and the huigan is pleasing. It’s just a little too astringent to be Nan Nuo Shan gu shu.

What was interesting was that, with some exposure, even given his professed ignorance, Chris had a sense of which tea was better, even though he wasn’t able to articulate what or why. It seemed to me to exemplify the process of change which takes place, quickly or slowly, in a tea drinkers expectations.

This was reiterated when I met a German guy in Lao Feng’s tea shop recently who used to be in the confectionary business: we were remembering what Austrian Reislings were like in the 60′-80’s. How they were insanely sweet (remember glycol?), but for many, it was an acceptable first step into the world of wine. His assertion being, that the German collective palette has evolved, become more sophisticated, and people now tend to favour Reislings, or other wines that are less sweet.

Lao Feng also was telling me a couple of weeks ago about someone from Shanghai who had amassed a fair amount of Puer tea – a houseful to be more precise – but then, after finally drinking some good quality, ancient tree tea, realised that what he had was, to him at least, no longer drinkable, so he literally gave it all away.

So, Mahayana or Theravadan? Instant enlightenment or gradual cultivation? Whichever way you get there, one minute you’re not, the next you are. Then what do you do with your tea?

Gua Feng Zhai – Cha Wang Shu – First Spring tea

HM was back up in Gua Feng Zhai about a week ago and came back with just over three and a half kilos of the first spring tea from Gua Feng Zhai’s Cha Wang Shu.

gua feng zhai mao 2012 cha

gua feng zhai mao 2012 cha

We tried the tea which at that stage was very smooth in the mouth, and sweet, but seemed a little thin in flavour. So about a week later, I thought I would try it again.

It had changed somewhat: still very smooth. The lid of the gaiwan carried the scent of  ‘flowers and honey’. The wet leaves have a dense ‘green’ aroma – a very distinct qing chou wei.  A faint hint of bitterness on the upper palate and ‘retro-olfactory’ hints of honeysuckle in the nasal cavity.

Lao Feng dropped by just as I was pouring out the second steep. We agreed it had improved in the week since we had tried it first. “The very first tips of spring” he said “it’s like an animal that’s been asleep all winter and has just awoken. It’s not fully awake yet.”

gua feng zhai cha wang shu 2012 puerh